The 2000’s

2000-2001

The Theory of Everything

  • By Prince Gomolvilas

  • EWP’s first international collaboration, with Singapore Repertory Theatre

  • Directed by Tim Dang

  • Ran November 8 to December 3, 2000

  • The Theory of Everything is about seven Asian Americans gathering atop a Las Vegas wedding chapel for every week for UFO watch. One particular night brings about profound change in all their lives when the impossible becomes a reality. In a city where UFOs and bingo lounges are everywhere, everything is possible! This first international collaboration for East West Players also marked the first Los Angeles appearance for the Singapore Repertory Theatre. Directed by Tim Dang, this production ran from November 8 to December 3, 2000.

The Year of the Dragon (Revival)

  • By Frank Chin

  • Directed by Mako

  • Ran January 31 to February 25, 2001

  • Welcome to Frank Eng’s Chinatown tours! Despite his contempt for them, San Francisco Chinatown tour operator, Fred Eng, presents a comically stereotypical persona to his customers. On the home front, things are driving him crazy, too. Fred’s dying father reveals that he has another wife in China and is bringing China Mama, to the U.S. – much to the shock of Fred’s mother and the rest of the family. Fred’s middle-class sister is of no help and neither is her China-crazy husband, Ross. Little brother Johnny is a Chinatown street kid and is getting into some serious trouble. This is a rich, fast-paced comedy with a menacing edge. The Year of the Dragon was first presented by East West Players in 1974. This production, directed by Mako, ran from January 31 to February 25, 2001.

A Funny Thing Happened on the Way to the Forum

  • Book by Burt Shevelove & Larry Gelbart

  • Music & Lyrics by Stephen Sondheim

  • Directed by Tim Dang

  • Ran March 21 to April 15, 2001

  • Broadway’s greatest farce is light, fast-paced, witty, irreverent and one of the funniest musicals ever written the perfect escape from life’s troubles. East West Players moves the setting from ancient Rome to ancient Polynesia while still maintaining the infectious energy of classic vaudeville. A crafty slave struggles to win the hand of a beautiful but slow-witted courtesan for his young master, in exchange for freedom. This is the eighth Stephen Sondheim musical produced at East West Players.

    Ken Takemoto’s celebrated costuming along with set design by Victoria Petrovich resituate this Roman toga-and-tunic comedy to the Pacific Islands, accentuated by choreography by Casey Kono that incorporates hula and The Tinikling. Knocking the comedy out of the park, the cast was universally adored with Back Stage West calling Gedde “a joy to watch, Watanabe shows off his faultless timing and knack for slapstick” while praising his ability to fill in the giant shoes of former-Pseudolus’s Zero Mostel and Nathan Lane. “The radiant Yumi Iwama (Philia) and Michael K. Lee (Hero) display penetrating voices… Anthony Begonia (in his L.A. stage debut) makes his entrance one of the most memorable moments in the entire play. Begonia’s enormous physical stature and brilliant facial expressions turn what is usually a bit part into the biggest baddest take on Gloriosus you’ve ever seen.”

    For Rafu Shimpo, Mike Hagiwara, playing Senex in the production, poignantly noted the shift in dialogue this production brought: “As Asians, we can play these roles… It shows Asian Americans in a funnier light as comedians as opposed to stereotypical comedic characters with accents.”

    This production was directed by Tim Dang and ran from March 21 to April 15, 2001.

Yankee Dawg You Die

  • By Philip Kan Gotanda

  • Music & Lyrics by Stephen Sondheim

  • Ran May 23 to June 17, 2001

  • Two very different generations and two very different sensibilities clash when veteran actor Vincent Chang meets up-and-coming star Bradley Yamashita at a Hollywood party, in this now-classic Asian American exploration of where film, identity, politics and art converge. As relevant today as when it was first workshopped at East West Players, Philip Gotanda takes a look at stereotypes and hard choices in this serio-comic valentine to Asian American actors, past and present. This production ran from May 23 to June 17, 2001.

2001-2002

Red

  • Written and Directed by Chay Yew

  • Ran October 3 to October 28, 2002

  • When Chairman Mao’s Cultural Revolution sweeps through China, the ancient, glorious art of Beijing Opera becomes a pawn in the dangerous new game of politics versus tradition. For an established star, whose life plays out on stage, and his young female protege caught up in the Revolution, the game has stunning consequences. Majestically beautiful and chillingly truthful, Red will stay with you forever. This production was written and directed by Chay Yew, and ran from October 3 to October 28, 2002.

Sisters Matsumoto

  • By Philip Kan Gotanda

  • Directed by Chay Yew

  • Ran from January 23 to February 17, 2002

  • In this touching tale of strength and survival, a Japanese American family returns home from the World War II internment camps to grapple with lost opportunities, new beginnings, and the answer to a secret. This production directed by Chay Yew ran from January 23 to February 17, 2002.

Monster

  • By Derek Nguyen

  • Ran from April 17 to May 12, 2002

  • Monster is one of the winning plays from East West Players’ Y2K Playwriting Competition, which was funded in part by the James Irvine Foundation. A Vietnamese American detective investigates the disappearance of a Vietnamese high school student on the heels of a hate crime. The “monster” he finds may change him forever. This production is made possible by a generous grant from the City of Los Angeles Cultural Affairs Department and ran from April 17 to May 12, 2002.

The World Goes Round

  • Music by John Kander

  • Lyrics by Fred Ebb

  • Conceived by Scott Ellis, Susan Stroman & David Thompson

  • Directed by Tim Dang

  • Ran from June 5 to June 30, 2002

  • Life-full of glories, indignities, hopes and quiet dreams-is the setting and the stunning Kander and Ebb catalog is the inspiration for this hit revue. Ingenious lyrics, perfect melodies, and the insight of Broadway masters create showstopper after heart-grabbing showstopper from such shows as Cabaret, The Kiss of the Spider-Woman, The Rink, and the film New York, New York. This production directed by Tim Dang ran from June 5 to June 30, 2002.

Queen of the Remote Control

  • Written and Directed by Sujata G. Bhatt, co-directed by Tim Dang

  • Ran September 14 to October 6, 2002

2002-2003

  • This serio-comedy, about an upper middle class South Asian American family in Calabasas, is seen through the eyes of the protagonist, Shilpa Shah, a 17-year old, longing to break out of the Valley and get to New York. But her parents, brother, and sister-in-law-to-be are the roadblocks she first has to bypass. Queen of the Remote Control is supported in part by the City of Los Angeles Cultural Affairs Department and The James Irvine Foundation. This production featured Kal Penn, and was co-directed by Sujata G. Bhatt and Tim Dang. It ran from September 14 to October 6, 2002.

The Tempest

  • By William Shakespeare

  • New Adaptation written and directed by Andew Tsao

  • Ran from November 15 to December 15, 2002

  • This new adaptation of The Tempest was written and directed by Andrew Tsao. An island removed from civilization filled with magic, spirits, monsters, kings, dukes, clowns, rogues and a beautiful princess in one of Shakespeare’s most mythic and abstract theatrical renderings. Prospero, played by Daniel Dae Kim, a rich and respected duke, and his daughter Miranda are forced to leave their home in Milan. Set adrift, they land on an enchanted island and are soon surrounded by magical spirits such as Ariel and Caliban. The Tempest is supported in part by The James Irvine Foundation. This production ran from November 15 to December 15, 2002.

Little Shop of Horrors

  • Book & Lyrics by Howard Ashman

  • Music by Alan Menken

  • Based on the film by Roger Corman with screenplay by Charles Griffith

  • Ran from February 5 through March 2, 2003

  • A down-and out skid row floral assistant becomes an overnight sensation when he discovers an exotic plant with a mysterious craving for fresh blood. Soon, Audrey II grows into an ill-tempered, foul-mouthed, R&B-singing carnivore that offers him fame and fortune in exchange for feeding its growing appetite, finally revealing itself to be an alien creature poised for global domination! This production opened held its first preview January 30, opened February 5 and run until March 2, 2003.

The Nisei Widows Club

  • By Betty Tokidani

  • Ran from May 14 to June 8, 2003

  • The Nisei Widows Club explores the traditions, loves, losses and lives of Nisei women (second-generation Japanese Americans), many of whom were children and teenagers interned in relocation camps during World War II as a result of President Franklin D. Roosevelt’s Executive Order 9066. This comedy, about a group of widows who have formed a support group for bereaving spouses, begins the night unexpected visitors attend their weekly gathering and hijinks ensue. The play is set in Los Angeles with many local references and a very familiar culture. Previews began May 8, opening May 14 and running until June 8, 2003.

Passion

  • Book by James Lapine

  • Music & Lyrics by Stephen Sondheim

  • Directed by Tim Dang

  • Ran from September 10 to October 5, 2003

2003-2004

  • Lapine’s and Sonheim’s Passion earned four Tony Awards including best musical. It explores the wondrously complex landscape of the human heart. Set on a remote military outpost in 1863 Italy, a handsome army captain, separated from his beautiful (but married) mistress, is forced to re-evaluate his beliefs about love when he becomes the object of the obsessive, unrelenting passions of Fosca, his Colonel’s plain, sickly cousin. Directed by Tim Dang and with musical direction from Scott Nagatani, this production ran from September 10 to October 5, 2003.

Masha No Home

  • By Lloyd Suh

  • Music & Lyrics by Stephen Sondheim

  • Directed by Henry Chan

  • Ran from November 12 to December 7, 2003

  • Masha No Home is a family drama with finely crafted characters that go on a journey of discovery. Masha and Whitman mourn the death of their mother but the strength of the family is challenged when $30,000 cash is found. A community fund for Korean immigrants to use to build their lives in America called a kae, the money becomes a hot potato – and a test of character – as it passes through the hands of everyone in the play. Directed by Henry Chan, this production ran from November 12 to December 7, 2003.

The Wind Cries Mary

  • By Philip Kan Gotanda

  • Directed by Lisa Peterson

  • Ran from February 4 to 29, 2004

  • Loosely based on Ibsen’s Hedda Gabler, the time is 1968 in San Francisco. Vietnam War protests are sweeping college campuses across America and young Asian Americans are coming into consciousness over their ethnic identities. A dynamic political play set during the 1960s Yellow Power Movement, The Wind Cries Mary raises issues of self-determination and explores the concept “yellow is beautiful.” Directed by Lisa Peterson, this production ran from February 4 to 29, 2004.

M. Butterfly

  • By David Henry Hwang

  • Directed by Chay Yew

  • Opened June 9, 2004

  • The winner of three Tony Awards in 1988 including Best Play, M. Butterfly is based on a true story that stunned the world. French diplomat Rene Gallimard is arrested by the French government for having an affair with Chinese Opera singer Song Liling for more than 20 years without ever knowing that his ideal woman was a spy for the Chinese government and a man disguised as a woman. Alec Mapa, who previously replaced B.D. Wong in the role on Broadway, portrayed Song Liling. This production directed by Chay Yew opened June 9, 2004.

Mixed Messages

  • By Cherylene Lee

  • Directed by Jon Lawrence Rivera

  • Ran from September 15 to October 10, 2004

2004-2005

  • Lee’s play uses the subject of a 9,000-year old human skull from the La Brea Tar Pits to address the questions that these American faces. As a physical anthropologist and Chumash tribe descendant battle over the skull‚s classification as research fossil or Native American ancestor, they both are forced to confront their own identities as people of mixed race and emotions spark, pitting culture against science and heritage against ethnicity. Directed by Jon Lawrence Rivera, this production played from September 15 to October 10, 2004.

As Vishnu Dreams

  • By Shishir Kurup

  • Co-Produced with Cornerstone Theater Company in collaboration with the Los Angeles Hindu community

  • Ran from November 10 to December 5, 2004

  • As Vishnu Dreams is a contemporary adaptation of the epic Hindu poem The Ramayana. The play explores the association of the lightness and darkness of skin with good and evil in the Hindu cosmology by examining the complicated relationship of the “fair” Queen Sita, the “wicked” Ravana and the “hero” Rama. Drawing on materials from Indian classical literature transformed to reflect the contemporary experience of South Asians in Los Angeles, As Vishnu Dreams is an intriguing exploration of the nature of morality, spirituality and the power of myth upon modern culture. Co-produced with Cornerstone Theater Company and in collaboration with the Los Angeles Hindu community, this production played from November 10 to December 5, 2004.

Proof

  • By David Auburn

  • Directed by Heidi Helen Davis

  • Ran from February 2 to 27, 2005

  • Catherine, a troubled young woman, has spent years caring for her brilliant but unstable father, a famous mathematician. Now, following his death, she must deal with her own volatile emotions; the arrival of her estranged sister, Claire; and the attentions of Hal, a former student of her father’s who hopes to find valuable work in the 103 notebooks that her father left behind. Over the long weekend that follows, a burgeoning romance and the discovery of a mysterious notebook draw Catherine into the most difficult problem of all: How much of her father’s madness–or genius–will she inherit? Directed by Heidi Helen Davis, Proof played from February 2 to 27, 2005.

Imelda: A New Musical

  • Book by Sachi Oyama

  • Music by Nathan Wang

  • Lyrics by Aaron Coleman

  • Directed by Tim Dang

  • Ran from May to June 2005

  • Told in 30 fast moving scenes and 17 songs, the musical chronicles the rise and fall of the First Lady of the Philippines Imelda Marcos, who was known for her beauty, extravagance, political power and infamous footwear. Centering on recent Filipino history, the musical also tells a parallel story of Ninoy and Corazon Aquino who later becomes the President of the Philippines after her husband’s assassination. With direction by Tim Dang, musical direction by Nathan Wang, and choreography by Reggie Lee, this production was developed by East West Players and the Academy for New Musical Theatre. It ran from May to June 2005.

2005-2006

Stew Rice

  • By Edward Sakamoto

  • Directed by James A. Nakamoto

  • Ran from September 7 to October 2, 2005

  • Beginning in Hawaii during 1957 and ending in 1978, this comedy centers around three young men and their female counterparts as they finish high school, examining what happens to friendship when time and distance have their way. But more importantly, what happens when someone moves away and no longer relates to “home.” East West Players’ 1988 production of Stew Rice was one of the most successful in the theatre’s history, running for almost three months after being extended twice. Directed by James A. Nakamoto, this production ran from September 7 to October 2, 2005.

Equus

  • By Peter Schaffer

  • Directed by Tim Dang

  • Ran from October 26 to December 4, 2015

  • Equus is an electrifying journey into the mind of a 17-year old boy who senselessly and systematically blinds six horses with a steel spike. As a psychiatrist explores the young boy’s tortured psyche, the play becomes a shattering confrontation between the passionate spirit of the life force itself and the distortions forced on the spirit by “civilized” society. East West Players’ production starred veteran actor George Takei in the lead role of psychiatrist Martin Dysart. Directed by Tim Dang, Equus ran from October 26 to December 4, 2015.

Sweeney Todd: The Demon Barber of Fleet Street

  • Book by Hugh Wheeler

  • Music & Lyrics by Stephen Sondheim

  • Directed by Tim Dang

  • Ran from February 8 to March 19, 2006

  • The rare instance of a musical thriller, Sweeney Todd is a chilling, suspenseful, heart-pounding masterpiece of murderous barber-ism and culinary crime tells the infamous tale of the unjustly exiled barber who returns to 19th century London seeking revenge against the lecherous judge who framed him and ravaged his young wife. His thirst for blood soon expands to include his unfortunate customers, and the resourceful owner of the pie shop downstairs soon has the people of London lining up in droves for her mysterious new meat pie recipe!

    Directed by Tim Dang, East West Players’ second production of this acclaimed show was praised universally for its eerie orchestration, strong leads, killer ensemble, and fine-tuned direction for this production. With a pared down seven-piece orchestra compared to the usually lavish productions of Sweeney, many newspaper mentioned how atmospheric and eerie the music sounded. Of our guttingly good leads, the Daily Breeze wrote “The show’s success hinges on a powerful lead, and Banks is a hit. From the minute he enters the stage, with a powerful stride, fierce eyes and a booming baritone voice, he grabs the audience by their throats and never lets go. Banks’ dark demeanor is softened by Tokuda, whose performance is reminiscent of #AngelaLansbury… Tokuda, through her exaggerated gestures and sarcastic tone, adds a layer of dark comedy to the mix… [Artistic Director Emeritus Tim] Dang successfully increases the intensity by keeping the pace quick and sharp, and by having the ensemble reflect the growing madness that overtakes the title character. By the end, well-choreographed Bedlam has taken control.” This production, originally set to run from February 8 to March 5, 2006, was extended to March 19 with Michael Dalager stepping into the title role.

Motty-Chon

  • By Perry Miyake

  • Directed by Alberto Isaac

  • Ran from May 10 to 28, 2006

  • Martin is 48-years old, single, works a dead-end job and lives at home with his aging Nisei parents. His bachelor status is the perfect target for his meddling parents and their gossip-hungry friends. Then Gina, a white, 24-year old pierced and tattooed gothic chick enters Martin’s life. What’s a parent to do? Motty-Chon is a comedy that shatters stereotypes about parental expectations and the search for love. Founding Artistic Director Mako and Shizuko Hoshi return to the East West Players’ stage as Martin’s parents, Mits and Helen. Directed by Alberto Isaac and supported in part by the LA County Board of Supervisors through the LA County Arts Commission, this production ran from May 10 to 28, 2006.

Sides: The Fear is Real

  • Written & Performed by Mr. Miyagi’s Theatre Company

  • Opened September 20, 2006

2006-2007

  • The West Coast premiere of Sides: The Fear is Real…, a side-splitting look at actor auditions gone horribly wrong follows six hopeful actors through true life audition nightmares in their quest for employment. The audience is treated to their mishaps and misadventures as they struggle against terrible scripts, psychotic casting directors, and competitive colleagues that stand in their way. In a series of comedic vignettes and scenes, these actors bravely face their fears and almost triumph! Previews began September 16, with the show opening September 20, 2006.

Surfing DNA

  • Written & Performed by Jodi Long

  • Directed by Lisa Peterson

  • Ran from November 1 to 19, 2006

  • Born in a trunk to vaudevillian parents on the Chop Suey circuit, Broadway star Jodi Long – star of Broadway and TV sitcoms “All American Girl” and “Cafe Americain” – takes us on a hilarious and poignant voyage from the Ed Sullivan Show to feudal Japan to the Scottish Highlands, inescapably steered by the forces embedded in her DNA. This world premier solo performance was directed by Lisa Peterson and ran from November 1 to 19, 2006.

Master Class

  • By Terrence McNally

  • Directed by Jules Aaron

  • Ran from February 7 to March 4, 2007

  • World-renowned opera diva Maria Callas is teaching a master class in front of an audience. She’s glamorous, commanding, larger than life–and drop-dead funny. Maria coaxes, prods, and inspires students–or victims as she calls them–into giving the performances of their lives. As each student steps up to display their talents to the renowned and admired Maria, they are quickly scrutinized before a single note can be sung. When students finally get the opportunity to sing through an entire aria without being interrupted, Maria can only hear her own past rendition of the piece as she gets lost in the memories of that time of her life. Directed by Jules Aaron, this production ran from February 7 to March 4, 2007.

I Land

  • Written & Performed by Keo Woolford

  • Directed by Roberta Uno

  • Ran from March 21 to April 8, 2007

  • At once hilarious, defiant and transcendent, I Land weaves together traditional Hawaiian hula, Hip-Hop, Hawaiian talk story and spoken word. I Land is acclaimed actor and hula dancer Keo Woolford’s moving search for the meaning of heritage in a post-modern world. In this semi-autobiographical journey, Woolford navigates the many worlds where hula lives, from backyard parties, to Hollywood kitsch, to the realm of the sacred. Along the way islands separated by geography and culture collide: a hotel hula show and a conservatory audition, Catholic high school and an evangelical church service, a moment of pop stardom and the opportunity to learn from a hula master. Directed by Roberta Uno with hula choreography by Robert Cazimero and hip-hop choreography by Rok-A-Fella, this production ran from March 21 to April 8, 2007.

Yellow Face

  • By David Henry Hwang

  • Co-Produced with Center Theater Group Mark Taper Forum and The Public Theater

  • Ran from May 10 to July 1, 2007

  • East West Players’ 41st Anniversary Season ended with the world premier of David Henry Hwang’s Yellow Face. Hwang writes himself into the middle of his satirical play, which begins with the playwright’s revelation backstage that a white actor had been unknowingly cast in the role of an Asian. The fictionalized Hwang is especially embarrassed considering his outspoken protestation when a Welsh actor was cast as a Eurasian in the 1991 Broadway opening of Miss Saigon. The production was co-produced with Center Theatre Group Mark Taper Forum and The Public Theater. This production ran from May 10 to July 1, 2007.

Durango

  • By Julia Cho

  • Directed by Chay Yew

  • Ran September 19 to October 14, 2007

2007-2008

  • Durango tells the story of a Korean-American family struggling with the desire to reach the fabled American Dream, but fall short due to their own personal conflicts. When Boo Seng-Lee’s work environment takes a sudden shift, he is unable to deal with his rage and forces an unexpected road trip to Durango on his sons, Jimmy and Isaac. Young adult Isaac fights with his inability to meet expectations with med-school applications while teenager Jimmy faces his inner demons when confronted with issues of race and sexuality. Directed by Obie winner Chay Yew, this production ran from September 19 to October 14, 2007.

Dawn’s Light: The Journey of Gordon Hirabayashi

  • By Jeanne Sakata

  • Directed by July Kubzansky

  • Ran November 7 to December 2, 2007

  • Dawn’s Light: The Journey of Gordon Hirabayashi takes us back to 1942 during World War II, when Japanese-Americans are forced to put their life on hold and be interned for the “good” of their country’s citizens. University of Washington student Gordon Hirabayashi agonizes over U.S. government orders. As he fights to reconcile his country’s betrayal of his Constitutional beliefs refusing to evacuate and eventually being convicted of a federal crime, Gordon journeys toward a greater understanding of America’s triumphs and failures. Directed by Jessica Kubzansky and starring Ryun Yu, this production ran from November 7 to December 2, 2007.

Voices from Okinawa

  • By Jonathan Shirota

  • Ran February 13 to March 9, 2008

  • Writer Jon Shirota displays the impact of the American GI presence in Okinawa. The play was recently read as part of the Japanese American National Museum and East West Players Writers’ Gallery program. Voices from Okinawa follows Kama Hutchins, an American graduate student of one quarter Okinawan descent, who teaches English in Okinawa, and receives an unexpected education in Okinawan-American relations. Jon Shirota’s new piece promises to bring together American and Okinawan cultures to explore and expose the true feelings beneath the surface of this long and troubled relationship. This production ran from February 13 to March 9, 2008.

Pippin

  • Book by Roger O. Hirson

  • Music & Lyrics by Stephen Schwartz

  • Directed by Tim Dang

  • Ran May 14 to June 8, 2008

  • Pippin is the story of Charlemagne’s eldest son, Pippin who embarks on a journey to find his true calling in life. As he is guided by the Leading Player, Pippin faces the challenges of war, sex, politics, love and family. As Pippin searches for direction in life, he is drawn towards the “Grand Finale” that has promised to wow the audience and earn him an unforgettable place in history. This production directed by Tim Dang and with choreography by Blythe Matsui and Jason Tyler ran from May 14 to June 8, 2008.

Be Like Water

  • By Dan Kwong

  • Directed by Chris Tashima

  • Produced in association with Cedar Grove OnStage

  • Ran September 17 to October 12, 2008

2008-2009

  • Be Like Water takes places in the 1970’s a few years after Bruce Lee’s death. The production tells the story of 14 year-old Tracy Fong who is trying to deal with school bullies and family expectations. As a huge fan of Bruce Lee, she trains in martial arts to deal with her rivals. However when she bypasses the philosophies of Jeet Kune Do, the Ghost of Bruce Lee appears to guide her. Directed by Chris Tashima and in association with Cedar Grove OnStage, this production ran from September 17 to October 12, 2008.

The Joy Luck Club

  • By Susan Kim

  • Based on the novel by Amy Tan

  • Directed by Job Lawrence Rivera

  • Music by Nathan Wang

  • Ran November 12 to December 7, 2008

  • In The Joy Luck Club, family bonds transcend history as four young Chinese American women and their Chinese-born mothers struggle to understand each other. When the children’s present lives begin to mirror their parents’ past accomplishments and failures, a seemingly uncrossable divide grows into a bridge that unites generations. Directed by Jon Lawrence Rivera with music by Nathan Wang, this production ran from November 12 to December 7, 2008.

Ixnay

  • By Paul Kikuchi

  • Conceived, Developed, and Workshopped in the David Henry Hwang Writers Institute at East West Players

  • Directed by Jeff Liu

  • Ran February 18 to March 15, 2009

  • Ixnay tells the story of Raymond Kobayashi who is in the prime of his sansei life when he is pulled up to the Reincarnation Station. When he finds out he’s being sent back as a Japanese American, he refuses, which rudely prevents anyone else from returning to earth as scheduled. This is a comedy about a usually polite Asian causing major havoc when he ixnays his next life. Conceived, developed, and workshopped in the David Henry Hwang Writers Institute at East West Players, this production was directed by Jeff Liu and ran from February 18 to March 15, 2009.

Marry Me a Little

  • Music and Lyrics by Stephen Sondheim

  • Directed by Julies Aaron

  • Presented with The Last Five Years as two one-act musical performances

  • Ran May 13 to June 21, 2009

  • Marry Me a Little places the songs that didn’t quite fit into some of Stephen Sondheim’s best-known musical. They are woven into a simple tale of two lonely people during one evening in their small, one-bedroom apartment. Featuring songs that were cut from A Funny Thing Happened on the Way to the Forum, Anyone Can Whistle, Company, Follies, and A Little Night Music. Directed by Julies Aaron and starring Mike Dalager and Jennifer Hubilla, Marry Me a Little was presented with The Last Five Years as two one-act musical performances. Previews ran from May 7-10, and opened on May 13, running until June 21, 2009.

The Last Five Years

  • Music and Lyrics by Jason Robert Brown

  • Directed by Jon Lawrence Rivera

  • Presented with Marry Me a Little as two one-act musical performances

  • Ran May 13 to June 21, 2009

  • The Last Five Years shows that there are two sides to every story. Jamie and Cathy’s 5-year old relationship is coming to an end, and through the funny, sweet and heart-breaking songs, you hear both versions of what happened – from beginning to end, and from the end to beginning. The Last Five Years was presented with Marry Me A Little as two one-act musical performances. Previews ran from May 7-10, and opened on May 13, running until June 21, 2009.

    The production was well received and received a one-night only encore performance January 9, 2010 as a fundraiser for Broadway Cares/Equity Fights AIDS. Composer Jason Robert Brown shared his thoughts on the performance on his website, saying: “THE LAST FIVE YEARS is a musical about a Jewish writer and an Irish-Catholic actress in New York City. Those are the only two characters. It’s about as Asian as burritos. I figured East West was doing the show as some kind of gimmick.”

    “It was no gimmick. What emerged was a heartfelt, powerful and honest production directed by Jon Lawrence Rivera, and performed beautifully by two sensational young performers, Michael K. Lee and Jennifer Paz.”

    “Last month, I got an email asking if I would give permission to do a one-night-only ‘revival’ of the production, as a benefit for Broadway Cares/Equity Fights AIDS. I said that not only would I give permission, but that I’d be honored if they’d allow me to accompany the performance myself, both as a way to be part of this fantastic company and as a way to thank East West Players for believing in the universality of my work.”

Art

  • By Yasmina Reza

  • Directed by Alberto Isaac

  • Ran September 16 to October 11, 2008

2009-2010

  • Art is a comedic play about three friends who try to define the value of art. Imagine: A 4′ x 5′ white canvas, painted with fine white diagonal lines. Is this art? Serge believes it is, and is willing to pay 200 grand for it. When Marc flat out laughs at the ridiculousness of the situation, a third party is brought in for an objective opinion. Yvan agrees with both. When three opinions clash, three 15-year long friendships are put to the test. At the breaking point, Serge hands Marc a felt tip pen and dares him: “Go On.” Directed by Alberto Isaac, this production ran from September 16 to October 11, 2009.

Po Boy Tango

  • By Kenneth Lin

  • Directed by Oanh Nguyen

  • Ran November 11 to December 6, 2009

  • Po Boy Tango is a heart warming play where the issues of racism and death are addressed through the power of food. Shark Fin Soup. Drunken Crab. Black Feather Chicken. Po Mama’s Chinese cuisine evokes the joy of cooking and her son, Richie Po has the palette to prove it. When Po Mama dies and passes her secrets on to him, he reunites with Gloria B, a “Soul Food” chef in the making. Together, they use Po Mama’s TV cooking tapes to discover a deeper understanding of food, culture and the recipe for friendship. Directed by Oanh Nguyen, this production ran from November 11 to December 6, 2009.

Cave Quest

  • By Les Thomas

  • Directed by Diane Rodriguez

  • Ran February 17 to March 14, 2010

  • The search for inner peace is often a life long journey. However, Justin Yi plans to condense that journey into minutes by packaging it into a $49.95 video game. In order to create the game, he tracks down Padma, a legendary American Buddhist nun in a Tibetan cave high in the Himalayas. Padma hasn’t spoken in five years, but that’s okay, he’s only looking for the bullet points of enlightenment. When Justin’s charm and fervor falls short, he embraces darker tactics and the cave becomes an arena for a conflict of wills and surprising revelations that changes the course of their lives. Directed by Diane Rodriguez and featuring West Liang and Kim Miyori, this production ran from February 17 to March 14, 2010.

Road to Saigon

  • Developed & Directed by Jon Lawrence Rivera

  • Musical Direction & Arrangement by Nathan Wang

  • Ran February 17 to March 14, 2010

  • The coveted role of Kim in the musical Miss Saigon has been performed by an elite group of talented women on Broadway and around the world. However this evening does not tell Kim’s story, but the stories of the actresses who have played this powerhouse role. Hear Joan Almedilla, Jennifer Paz, and Jenni Selma in a heart-warming, passionate and musical journey as they share memories about family, relationships, careers and personal milestones on their individual roads to Saigon. With musical direction and arrangement by Nathan Wang, Road to Saigon ran from May 13 to June 13, 2010.